After the Fox

Fabrizi

• Where is he? Where is my Tony!? Where is my beautiful Tony? Look at that skin—like a baby. Whatsa matter, you never get old like the rest of us, eh? I love him, I LOVE him!

• Stop! Stop! Cut! Cut! Shame on you, Sevalio! You are a disgrace to your village and to the motion picture industry!

Police Chief

• I could say 'Good Morning'. That wouldn't be acting, because I always say 'Good morning'.

Dialogue

Aldo: Where is Gina, mama?

Mama: On the street.

Aldo: You mean my sister is a—

Woman: BINGO.

Bystander: Who is in the car?

Aldo: Marlon Brando's nose.

Gina: That's him, Tony Powell. We saw him at the Excelsior.

Aldo: Why isn't he fat?

Gina: It's an old picture.

Tony: How many people in the world over 40 can still say they have their own teeth, huh?

Harry: How many people in the world over 50 can still say they're only 40?!

Gina: Ooh, he's a good kisser.

Aldo: You know how many good kissers are starving in Italy?

Tony: What's neo-realism?

Harry: No money.

Fabrizi: Sophia, hello my darling...no, Sophia, I told you I'm busy with Tony Powell... I'm sorry, Sophia, you will have to get somebody else. Sophia—I'm sorry my darling, there's no part for you in the picture...Would I lie to you? So—Soph—Sophia don't cry! Tony, talk to this girl, she's hysterical, she's hysterical. Talk to her, please.

Tony: Hello, Sophia?— she hung up.

Fabrizi: She'll kill me, she'll kill me. It'll be in all the Italian newspapers!

Harry: Can I see a script!?

Fabrizi: In here is my script, in here is my story.

Fabrizi: Tony plays the Fox.

Tony: An animal picture?

Fabrizi: No matter how fast you run, you cannot run away from yourself.

Tony: Brilliant!

Miss Okra: I must talk to you.

Fabrizi: Who's talking, you or him?