Azar Nafisi

Sourced

• On the one hand, the ruling Islamic regime has succeeded in completely repressing Iranian women. Women are forbidden to go out in public unless they are covered by clothing that conceals everything but their hands and faces. At all government institutions, universities, and airports, there are separate entrances for women, where they are searched for lipstick and other weapons of mass destruction. ... Yet, while these measures are meant to render women invisible and powerless, they are paradoxically making women tremendously visible and powerful.
  • The New Republic (22 February 1999)

• Khatami is a symptom and not the cause of change in Iran.
  • "Mutually Assured Misunderstanding" at PBS.org, Interviews for Frontline (April 23 and May 2, 2002)

Reading Lolita in Tehran (2003)

• Every great work of art ... is a celebration, an act of insubordination against the betrayals, horrors and infidelities of life.

• As I trace the route to his apartment, the twists and turns, and pass once more the old tree opposite his house, I am struck by a sudden thought: memories have ways of becoming independent of the reality they evoke. They can soften us against those we were deeply hurt by or they can make us resent those we once accepted and loved unconditionally.

• I explained that most great works of the imagination were meant to make you feel like a stranger in your own home. The best fiction always forced us to question what we took for granted. It questioned traditions and expectations when they seemed too immutable. I told my students I wanted them in their readings to consider in what ways these works unsettled them, made them a little uneasy, made them look around and consider the world, like Alice in Wonderland, through different eyes.

• Do not, under any circumstances belittle a works of fiction by trying to turn it into a carbon copy of real life; what we search for in fiction is not so much reality but the epiphany of truth.