Boris Spassky

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• When I am in form, my style is a little bit stubborn, almost brutal. Sometimes I feel a great spirit of fight which drives me on.

• We were like bishops of opposite color.
  • On the breakup of his first marriage.

• Which do I prefer? Sex or chess? It depends on the position.

• After I won the title, I was confronted with the real world. People do not behave naturally anymore - hypocrisy is everywhere.

• In my country, at that time, being a champion of chess was like being a King. At that time I was a King … and when you are King you feel a lot of responsibility, but there is nobody there to help you.

• I don’t want ever to be champion again.

• I enjoy life, sometimes with a good bottle of wine! But don't count on me in tournaments that demand a lot of nervous energy, like the French championship. I am empty; these are not for me anymore.

By Garry Kasparov

• I believe that judged by his style of play, Spassky is much closer to Alekhine and Tal than to Smyslov, Botvinnik, or Petrosian. This is probably why, when Spassky was in his best form, neither Tal nor Korchnoi could really put up much resistance against him. Spassky could read their play (especially that of Tal) like an open book.

• The universal chess style, characterized by the ability to play quite different types of chess positions, is considered by many to derive from that of Boris Spassky. But I think that the general idea that Spassky has a universal style overlooks the fact that from an early age, Spassky had a bent for sharp, attacking play and a good eye for the initiative.

• It is characteristic that Spassky has never in his life started a game with 1.Nf3. He must have considered it a 'semi-move', real moves being only those that lead to an immediate fight. All of those notorious opening peculiarities (such as avoiding this, that, and the other and preventing the other that and this) seemed repulsive to him.

• Spassky was the first great chess player to use both 1.e4 and 1.d4 with equal success. He managed to employ these moves more harmoniously than any other world champion.

• He was less concerned about the position’s evaluation than about the character of the arising struggle. If he liked the character of the battle, he felt absolutely at home and, as a rule, didn’t fail to outplay his opponents.

By Larry Parr

• There are more pictures of Spassky standing before audiences of chess enthusiasts, who are rocking backwards in their chairs with delighted laughter, than there are of him sitting at a chessboard. He can act the clown while maintaining a dignified reserve - a gift unique among the humorless lot in the chess world.

• The Cary Grant of the 64 Squares.

• At a strictly personal level, if not to the manor born, Spassky was certainly to the gracious manner born.

Others

• One of the soundest attacking players ever, Spassky nonetheless took very few chances. Totally dominant until he lost to the irresistible juggernaut known as Bobby Fischer. After that loss, he was never the same.
  • Bruce Pandolfini

• Highly cultured with interests in all fields of human knowledge, a man of impeccable comportment, great modesty ... one of the favorites of all chessplayers.
  • Max Euwe

• Spassky sacrifices his pieces with the utmost imperturbability. He can blunder away a piece, and you are never sure whether it's a blunder or a fantastically deep sacrifice. He sits at the board with the same dead expression whether he's mating or being mated.
  • Bobby Fischer