Hugo Weaving

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• One of the positive aspects from my point of view in terms of lifestyle doing film is that I can say "Well, I'm now going to have three months where I'm just going to hang out and be with the family".
  • Interview The Sun Herald (6 August 2000)

• Yes, you like the money and the offers come in, but I don't think I know any actor who really, truly likes that glittery life. I think there's a lot of stress involved if you're up there.
  • Interview The Sun Herald (6 August 2000)

• I very nearly died. Of course, everyone thought I was acting, even the person doing the strangling. But actually I was dying. Luckily someone noticed the froth coming out of my mouth and knew something was wrong. I wasn't that spooked by the incident. But when they told me I had been out for a while, I wanted to make sure I wouldn't have any long term damage because I didn't know how long the oxygen had been cut off to my brain. But I was fine apart from a couple of rope burns. That's what happens when you take art to extremes.
  • On losing consciousness in August 2000, during a performance of the Sydney Theatre Company's The White Devil by John Webster. The Sunday Telegraph (December 2002)

• I certainly didn't know how Smith was going to develop. I always thought after the first one you would eventually go and find the architect or the man behind the curtain, and then I thought the focus would go on to that character, but Smith would always be there in some form. But Larry said don't worry, he'll develop in a really interesting way, and then when I read the script I laughed my head off.
  • Referring to his role as "Agent Smith" in The Matrix Revolutions ; Interview (November 2003)

• They might think of those characters, but they're not really me they're versions of. They're things I have to create. And for me, people might say he's Smith or he's Elrond, but I definitely don't think that. I think I'm doing this play at the moment, or I'm doing this other thing. And beside all of that, much more importantly, I am Hugo, and I'm a dad, and all these other things. So whatever people think of Smith or Elrond that's great, but that's nothing to do with me.
  • On people identifying him with his roles. Interview (November 2003)

• In a real fight, there ain't no time and you've got to use your wits. If someone were threatening the life of my child, then I'd be a good fighter. If somebody just wanted to steal my wallet, well, maybe I wouldn't worry about it so much.
  • Interview at about.com on The Matrix Reloaded.

• "I was on top of Keanu Reeves, he was on his back and I was on my trunk, and I was breathing down his neck for hours and hours. It was... very erotic." (on filming The Matrix Reloaded )

• "I do love working in Australia. Generally, the budgets are smaller, the crews are smaller and generally you work at a fast pace. That gives you energy. At the end of the day, you've worked a lot but you don't feel tired. On the big ones, you sit around a lot. That really saps your energy."
• "You're certainly pushed into selling yourself as a commodity in order to sell the product. I will engage in the selling of the film. But I will try not to engage in the selling of the image, because I find that it's easier to go on and make another film, because the next character is actually obstructed if your image is bigger than it. So the longer you keep the mask on, metaphorically and physically, the better."
• "I think I said something like The Interview was the most fulfilling experience from an acting point of view. And it definitely was. That was a combination of working with a director who was very open and very prepared, and ... working with Tony Martin - just sitting opposite him every day, which is pretty much what we did because the film is essentially a dialogue between two men."
• "I'm 'of the world'. There was a time when I thought, 'Oh, I must go back to England. I feel English.' Then I went and the longer I was away, the more Australian I felt. Now, I've come back here and I don't feel entirely Australian. But I certainly feel like this is my country. This is where I live and this is where I want to work."
• "Alan Moore was writing about something which happened some time ago. It was a response to living in Thatcherite England... This is a response to the world in which we live today. So I think that the film and the graphic novel are two separate entities." On V for Vendetta