The Rite of Spring

Quotes regarding The Rite of Spring by Igor Stravinsky
  • "The music of Le Sacre du Printemps baffles verbal description. To say that much of it is hideous as sound is a mild description. There is certainly an impelling rhythm traceable. Practically it has no relation to music at all as most of us understand the word."
    • Musical Times, London, August 1, 1913, quoted in: Slonimsky, Nicolas (1953). Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time. Seattle: University of Washington Press. ISBN 0295785799.

  • "This intersecting of inherently non-symmetrical diatonic elements with inherently non-diatonic symmetrical elements seems to me the defining principle of the musical language of Le Sacre and the source of the unparalleled tension and conflicted energy of the work."
    • George Perle (1990). The Listening Composer, p. 83. California: University of California Press. ISBN 0520069919.

  • "The diatonicism of Le Sacre du printemps should not be understood in the restrictive sense of the major/minor system, but in terms of something more basic. Like the symmetrical partitionings of the twelve-tone scale in Le Sacre, its diatonicism may also be explained in terms of interval cycles--more simply and coherently, in fact, than in terms of the traditional modes and scales. With the single exception of interval[-class] 5, every interval[-class] from 1 through 6 will partition the space of an octave into equal segments. A seven-note segment of the interval-5 cycle [C5], telescoped into the compass of an octave, divides the octave into unequal intervals--'whole-steps' and 'half-steps.'"
    • George Perle (1990). The Listening Composer, p. 84. California: University of California Press. ISBN 0520069919.
      • George Perle . "Berg's Master Array of the Interval Cycles", p. 10.
 
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